If you wanted a printed version of any of our most recent issues we have a selection of back issues (opens in new tab) to choose from in our online store. Readly (opens in new tab) (all-you-can-eat digital magazine subscription service).PocketMags (opens in new tab) (multi-platform app ideal for Android devices).Zinio app (opens in new tab) (multi-platform app for desktop or smartphone).Apple app (opens in new tab) (for iPad or iPhone).Why not subscribe (opens in new tab) to a print edition, and have the magazine delivered direct to your door every month?Īlternatively, we have a number of different digital options available, including: Download Affinity Photo 2 for iPad and enjoy it on your iPhone, iPad and iPod touch. This tutorial originally appeared in N-Photo, the monthly newsstand magazine for Nikon photographers. Read reviews, compare customer ratings, see screenshots and learn more about Affinity Photo 2 for iPad. We painted on these layers with the Brush tool set to white at a low opacity to add a gentle haze. We’ve added a touch of mist in front of and behind the giraffe by making two layers, one underneath, one above. It can help a composite look more natural if you add effects and tonal shifts on top of everything, so it looks like the separate images contained within belong together. Finally, make an HSL adjustment layer at the top of the stack and reduce the saturation. Drag the new layer on top of the giraffe layer and shift the colours to cyan and green to match it with the backdrop. (Image credit: James Paterson) (opens in new tab)Ĭlick the Create Adjustment Layer icon and choose Colour Balance. Watch video: Get creative with composites in Affinity Photo When I talk to people trying to learn Affinity Photo, this is one area where most have problems. These are the features in Affinity Photo which change depending on what you’re doing. Affinity Photo tutorials (opens in new tab) In this tutorial, we explore the whole of Affinity Photo, paying special attention to the dynamic features.
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